Description: A Jazz Salute to FreedomC100 [1963]CORENotes:· 2-lp Gatefold· Released as a fundraiser for Congress of Racial Equality (CORE)· Content comes from catalog of Roulette Records and Roost Records· These records have been cleanedArtists: Dinah Washington; Cannonball Adderly; Machito and His Orchestra; Harry Belafonte; Herbie Mann; Steve Allen’s Roundtable All-Stars; Chris Connor; Maynard Ferguson; Louis Armstrong; Duke Ellington; John Coltrane Quartet; Dizzy Gillespie; Erroll Garner; Woody Herman Sextet; Nat Adderley; Charlie Parker; Miles Davis; Stan Getz; Horace Silver; Art Tatum; J.J. Johnson; Kai Winding; Bud Powell; Joe Newman; Zoot Sims; Count Basie & His Orchestra; Sarah Vaughan; Joe Williams; Billy Eckstine; Tony Bennett Tracks – Record 1Side 1: “The Blues Ain’t Nothin’ But a Woman Cryin’ for Her Man” [Dinah Washington] “Cannonology” [Cannonball Adderly with Machito & His Orchestra] “Lean on Me” [Harry Belafonte with Machito & His Orchestra] “Carabunta” [Herbie Mann with Machito & His Orchestra] “I Thought About You” [Steve Allen’s Roundtable All-Stars] “I Feell a Song Coming On” [Chris Connor & Maynard Ferguson] Side 2: “Cotton Tail” [Louis Armstrong & Duke Ellington] “Exotica” [John Coltrane Quartet] “Paris Swing” [Dizzy Gillespie] “Love for Sale” [Erroll Garner] “Lullaby of Birdland” [Woody Herman Sextet with Nat Adderley] “Klactoveededstene” [Charlie Parker & Miles David] Tracks – Record 2Side 1: “Strike Up the Band” [Stan Getz & Horace Silver] “Dark Eyes” [Art Tatum] “Groovin’ High” [Dizzy Gillespie & Charlie Parker] “The Shrike” [J.J. Johnson & Kai Winding] “Off Minor” [Bud Powell] “’Tater Pie” [Joe Newman & Zoot Sims] Side 2: “Everyday” [Joe Williams with Count Basie & His Orchestra] “Until I Met You” [Sarah Vaughan with Count Basie & His Orchestra] “Tickle Toe” [Count Basie & His Orchestra] “Going To Chicago Blues” [Joe Williams; Lambert, Hendricks & Ross with Count Basie & His Orchestra] “Jelly Jelly” [Billy Eckstine with Count Basie & His Orchestra] “I Guess I’ll Have To Change My Plans” [Tony Bennett with Count Basie & His Orchestra] ConditionRecord 1 (note: this record has been played through in its entirety to determine grade): Very Good [good luster; minor scratches and scuffs; some surface noise on Side 1 Track 4 and Side 2 Track 2, otherwise plays as VG+ with minor surface noise]Record 2 (note: this record has been played through in its entirety to determine grade): VG+ [good luster; minor scratches and scuffs; minor surface noise]Record Cover: Very Good [minor wear on front, back; minor seam wear on front gatefold top, bottom, back gatefold bottom, spine, seam wear on back gatefold top, 3 ½” seam split on back gatefold top] How We Grade Your Records … We grade both the record and the record cover using the standard Goldmine grading system: Mint; Near Mint; Very Good Plus (VG+); Very Good; Good; Fair; Poor. For a record, we grade on three criteria: surface noise, luster and abrasions like scuff and scratch marks. For a record cover or sleeve, we grade on three criteria: general wear (including writing, tears or foxing), ring wear and seam wear/tears. The grade will reflect the absence of and/or presence of these criteria. To better understand our grading, note the following: · A Mint Record/Record Cover Grade is reserved exclusively for records that are still manufacturer sealed; in our opinion, that is the only way this grading can be accurately applied.· A Near Mint Record Grade is reserved exclusively for a record that plays through as if it is brand new, with no surface noise, good luster and no abrasions; essentially, this is a Mint grading but for the fact that the record has been played.· A Near Mint Record Cover Grade is reserved exclusively for a cover that has no discernable wear; oftentimes, these covers will still be in their original shrink wrap.· Records and Record Covers that are graded between VG+ and Poor have some level of the grading criteria present (i.e., some surface noise, seam wear on top spine, etc.). What Is the Jewel City Difference … Our commitment to proper record restoration and accurate record grading makes us stand above most other resellers. First, we acquire records from private sellers, estate sales and thrift stores that are as well-preserved and well-cared-for as possible. Second, if a record requires it, we deep-clean it with our Pro-Ject VC-S2 ALU Record Cleaning Machine. It’s not unusual that we find vinyl that has been so well-cared-for by its previous owners that it does not require cleaning; this will be noted in our product description. Third, we handle and play each record with great care. We use cotton, archival-grade gloves while handling vinyl. Before playing each side of a record, we clean it with both an anti-static brush and a Zerostat anti-static device. We play through all 33rpm and 45rpm records on a Rega Planar 6 turntable with a Hana SH cartridge; the stylus is cleaned with the LP#9 Stylus Cleaner after play on each side. Fourth, all shipments (unless the size or quantity of purchase dictates) are shipped in vinyl record cardboard mailers; the contents inside the mailer are wrapped in bubble wrap to ensure additional protection during shipping.
Price: 9.99 USD
Location: Glendale, California
End Time: 2024-11-15T20:31:47.000Z
Shipping Cost: 7.13 USD
Product Images
Item Specifics
Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: Charlie Parker, Count Basie, Dizzy Gillespie, Duke Ellington, Louis Armstrong, Maynard Ferguson, Miles Davis, Cannonball Adderley, Billy Eckstine, Erroll Garner, Bud Powell
Speed: 33 RPM
Record Label: CORE
Release Title: A Jazz Salute to Freedom
Material: Vinyl
Edition: Anthology
Type: Double LP
Format: Record
Record Grading: Very Good (VG)
Release Year: 1963
Sleeve Grading: Very Good (VG)
Record Size: 12"
Features: Compilation
Genre: Jazz
